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Read Frederick Douglass Together

  • February 28, 2026 2:00 PM - 4:00 PM
  • Northshore Unitarian Universalist Church

    323 Locust Street
    Danvers, Massachusetts 01923
Description

Cherry Hill Chamber Orchestra and North Shore Unitarian Universalist Church, in partnership with the North Shore Juneteenth Association, invites the community to a shared reading of Frederick Douglass’s enduring speech, “What to the Slave Is the Fourth of July?” This annual gathering offers space for reflection, dialogue, and collective witness as we engage with Douglass’s words — still urgent, still challenging, and still necessary.

This year’s program will be interwoven with live chamber music performed by Cherry Hill Chamber Orchestra, with original music composed specifically for the event by Danvers local resident Charles Turner. The music will serve as moments of pause, reflection, and emotional grounding throughout the reading.

All are welcome to join this meaningful communal experience of history, art, and shared responsibility.

 

SNOW DATE: March 1 @ 1:30pm

Date & Time

Sat, Feb 28, 2026 2:00 PM - 4:00 PM

Venue Details

Northshore Unitarian Universalist Church

323 Locust Street
Danvers, Massachusetts 01923 Northshore Unitarian Universalist Church
Cherry Hill Chamber Orchestra

The Cherry Hill Chamber Orchestra was founded in the fall of 2019 by conductor Marshunda Smith and her husband, Ryan Hemphill. Marshunda created the ensemble as a space to program and conduct works that move her both intellectually and physically, while Ryan develops imaginative storylines that give Marshunda and their colleagues opportunities to stretch their creative muscles and have fun. His work blends humor, curiosity, and a love of STEAM/STEM-driven creativity, adding a unique dimension to each performance.

Marshunda’s passion for music radiates through every concert. She immerses herself in the orchestra’s sound and invites audiences to share in that same joy. Ryan’s playful narratives weave through the programs, bringing humor and fresh perspective to the concert experience.

Together, they seek to dissolve the “invisible wall” that can exist between musicians and audiences. Marshunda encourages participation—applause between movements, moments of shared laughter, and invitations for listeners to simply lose themselves in the music. Her goal is to foster an environment where music feels alive, immediate, and deeply enjoyable.

This approach has transformed both the orchestra and its audiences. Musicians feel a stronger connection to listeners, amplifying their passion and energy onstage. In turn, audiences leave not only entertained but also engaged—fully appreciating the depth, beauty, and humanity of the performances.