Goblin Market

  • November 1, 2025 2:00 PM - 4:00 PM
  • Northshore Unitarian Universalist Church

    323 Locust Street
    Danvers, Massachusetts 01923
Description

The Goblin Market awaits, adventurer. On November 1, the gates open to a realm where music is magic and goblins roam freely. Marshunda of the Cherry Hill Chamber Orchestra will be your bard-conductor and guide, leading the fellowship through soundscapes that enchant, unsettle, and inspire. Original music by Danvers composer Charles Turner sets the stage, while Dungeon Master and Creative Director Ryan Hemphill charts the path. Hosted by North Shore Unitarian Universalist Church (NSUUC), this one-day-only event calls you to gather your party, secure your tickets, and prepare to roll for initiative — because inside the Goblin Market, mischief and wonder reign supreme.

Date & Time

Sat, Nov 1, 2025 2:00 PM - 4:00 PM

Venue Details

Northshore Unitarian Universalist Church

323 Locust Street
Danvers, Massachusetts 01923 Northshore Unitarian Universalist Church
Cherry Hill Chamber Orchestra

The Cherry Hill Chamber Orchestra was founded in the fall of 2019 by conductor Marshunda Smith and her husband, Ryan Hemphill. Marshunda created the ensemble as a space to program and conduct works that move her both intellectually and physically, while Ryan develops imaginative storylines that give Marshunda and their colleagues opportunities to stretch their creative muscles and have fun. His work blends humor, curiosity, and a love of STEAM/STEM-driven creativity, adding a unique dimension to each performance.

Marshunda’s passion for music radiates through every concert. She immerses herself in the orchestra’s sound and invites audiences to share in that same joy. Ryan’s playful narratives weave through the programs, bringing humor and fresh perspective to the concert experience.

Together, they seek to dissolve the “invisible wall” that can exist between musicians and audiences. Marshunda encourages participation—applause between movements, moments of shared laughter, and invitations for listeners to simply lose themselves in the music. Her goal is to foster an environment where music feels alive, immediate, and deeply enjoyable.

This approach has transformed both the orchestra and its audiences. Musicians feel a stronger connection to listeners, amplifying their passion and energy onstage. In turn, audiences leave not only entertained but also engaged—fully appreciating the depth, beauty, and humanity of the performances.